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Theatre of Lost and Found Memories
[Work in progress]
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A participatory performance installation in
three parts:
She had a disturbing feeling she was always present at
the wrong moment
Often I forget where my buttocks are
Pink elephant
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Limit-cruisers
(#2 Crowd)
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A praxis session for listeners and
observers.
Test sites: Unga Klara, Stockholm, Sweden, and PSi19: Now Then: Performance and Temporality, Stanford University,
Stanford, CA, 2013. |
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Limit-cruisers
(#1 Sphere)
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A performance for listeners and observers. Three air-filled spheres,
lighting, wireless headphones, four synched soundtracks.
Teatr Weimar/Inter Arts Center, Malmö, Sweden, 2012. |
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Environmental
Dependency Syndrome
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A 3-channel video- and sound installation with video projectors,
rear projection screens, headphones, a table, chairs, a wooden
floor and a gun.
Gallery Titanik, Turku, Finland, 2009. Röda Sten Art Center,
Göteborg, Sweden, 2010. |
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To
Mushroom [Som svampar ur Jorden]
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Mapping social infrastructures, six double-sides posters and
a leaflet, 42x 59,4 cm, collaboration with Anna Högberg,
2009.
Various venues and publications. |
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Paranormal
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A performance for three listeners/Spect-actors. Table, chairs, outdoor
bench, bags with props, audioguides and headphones.
Konsthall C, Stockholm, Sweden, 2009. |
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Privileged
Position
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Rokkakaku kite, beach, wind, runners and helpers.
Sylt, Germany, April 2009. |
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Putting
Together With Light
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A s single channel video- and sound installation with 3 headphones,
rear projection screen, mirror, tilted viewing plane, carpet
and an external soundtrack in loudspeakers.
Bemis Center for Contemporary Arts, Omaha, Nebraska, USA,
2007. 300m3 Art Space, Göteborg, Sweden, 2008. |
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Social
Forms And Ideal Types
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Drawings. Graphite,
oil and water on paper.
300m3 Art Space, Göteborg, Sweden, 2008. The National
Public Art Council Sweden/Statens Konstråd. |
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The Construction
Of Landscapes
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Digital prints, diptych,
28 x 111 cm, 2005/2006
Studio 44, Stockholm, Sweden, 2006. Vox Populi Gallery, Philadelphia,
USA, 2008. |
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Within
This Border (I'll Be Safe)
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A 5-channel video- and sound installation with synchronized
DVD-players, monitors, headphones, and carpet.
Bemis
Center for Contemporary Arts, Omaha, Nebraska, USA,
2007. |
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Positionsbestämning
1-3 [Positioning 1-3]
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Posters, triptych, 46 x 60 cm, 2002/2006.
Various venues.
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To turn
one's anus towards the sun and say "GO"!
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Poster, 31.5 x 56.5 cm, collaboration with Katja Aglert.
Chto Delat?/What Is To Be Done?
#16: Potentialities Beyond Political Sadness, 2007. |
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Some Day They're Gonna Name
A Street After Me
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Lamda print, 108 x 123 cm, collaboration with Po Hagström
(Trial and Error), 2006.
Various venues and publications.
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Inauguration-kit
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Mobile rostrum, collaboration with Po Hagström (Trial
and Error).
Supermarket, Konstnärshuset, Stockholm, Sweden, 2007.
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Trial and
Error – Monument for the Massess
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A 2-year, context and site specific project that consists of a proposal for a counter-monument,
a campaign to gain support for the proposal, an exhibition
and a website. Collaboration with Po Hagström (Trial
and Error), 2005-2006.
Tallinn City Gallery, Tallinn, Estonia, 2006. |
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The Last
Journey of the Wanderer
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Documentation of intervention / DVD,
3:20min.
Lasnamäe residential area, Tallinn, Estonia, 2005. |
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Except For Your Presence
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Documentation of intervention / podium 37x37x57 cm.
Kadriorg park, Tallinn, Estonia, 2005. |
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From Here
To There (Receiver module #3)
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Site specific video- and sound installation. Wooden booths,
a glass wall, MP3 player, headphones, video projector, DVD
player.
Nacka Expo, Nacka, Sweden, 2004. |
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Receiver-module
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Site specific video- and sound installation.
Wooden booths, windows, MP3 players, headphones, video projectors,
video camera, DVD player, outdoor projection screens.
Gallery 60, Umeå, Sweden, 2003. |
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Point
Of Departure [Utgångspunkt]
Site specific audio-guided walk.
Headphones, MP3 player.
Gallery 60, Umeå, Sweden, 2002. |
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110
Days [110 dagar] Walking,
writing, mapping during 110 consecutive day. Archive of subjective
maps. An excerpt was presented in Glänta magazine #3-4:
Maps, 2002. |
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