Janna Holmstedt

| works | projects | writing |stage | statement | resumé | recent and upcoming |

Contact:
E-mail: mail[at]jannaholmstedt.com
Cell phone: +46 (0)709 700 710


| works | projects | writing |stage | statement | resumé | recent and upcoming
| works | projects | writing |stage | statement | resumé | recent and upcoming
| works | projects | writing |stage | statement | resumé | recent and upcoming
| works | projects | writing |stage | statement | resumé | recent and upcoming
| works | projects | writing |stage | statement | resumé | recent and upcoming

 

In the Greenery
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Acoustic and visual environment with three installations
Inter Arts Center, Malmö, Sweden, 2016.

   
Fluorescent You
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Aluminium screens with polyester, LED PAR lights and stands, grass, wooden deck, headphones, chairs, sound, monochrome light, 18 min. (loop)
In the Greenery, Inter Arts Center, Malmö, Sweden, 2016.
   

Then There the Bark Above Their Shoulders Grew
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Wooden construction, wool mats, headphones, vibration speakers, and sound, 8:30 min. (loop)
In the Greenery, Inter Arts Center, Malmö, Sweden, 2016.
   
Therapy in Junkspace
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Plexi glass booth with treadmill, monitor, carpet, plant, headphones, video, and sound, 8:30 min. (loop)
In the Greenery, Inter Arts Center, Malmö, Sweden, 2016.
   
She Had a Disturbing Feeling She was Always Present at the Wrong Moment
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Light and sound installation with plants (work-in-progress)
In the Blend, Inter Arts Center, Malmö, Sweden, 2014.
   

Limit-Cruisers (#2 Crowd)
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A praxis session for listeners and observers, with audio devices, headphones, and head lights.
Test sites: Unga Klara, Stockholm, Sweden, and PSi19: Now Then: Performance and Temporality, Stanford University, Stanford, CA, 2013.

   
Limit-Cruisers (#1 Sphere)
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A performance for six participants. Three air-filled spheres, lighting, wireless headphones, loudspeakers, and four synched soundtracks.
Inter Arts Center, Malmö, 2012/Weld, Stockholm, Sweden, 2014
   
Environmental Dependency Syndrome
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A 3-channel video and sound installation with video projectors, rear projection screens, headphones, a table, three chairs, a wooden floor and a gun.
Gallery Titanik, Turku, Finland, 2009. Röda Sten Art Center, Göteborg, Sweden, 2010.
   

To Mushroom [Som svampar ur Jorden]
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Mapping social infrastructures, six double-sides posters and a leaflet, 42x 59,4 cm, collaboration with Anna Högberg, 2009.
Various venues and publications.

   

Paranormal
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A performance for three listeners/actors. Table, chairs, outdoor bench, bags with props, audioguides and headphones.
Konsthall C, Stockholm, Sweden, 2009.

   

Privileged Position
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Rokkakaku kite, beach, wind, runners and helpers.
Sylt, Germany, April 2009.

 

To Put Together with Light
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Single channel video- and sound installation with a rear projection screen, mirror, a tilted viewing plane, carpet, mattresses, three headphones, and an external soundtrack in loudspeakers.
Bemis Center for Contemporary Arts, Omaha, Nebraska, USA, 2007. 300m3 Art Space, Göteborg, Sweden, 2008.

   

Social Forms and Ideal Types
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Drawings.
Graphite, oil and water on paper.
300m3 Art Space, Göteborg, Sweden, 2008. The National Public Art Council Sweden/Statens Konstråd.

   

The Construction of Landscapes
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Digital prints,
diptych, 28 x 111 cm, 2005/2006
Studio 44, Stockholm, Sweden, 2006. Vox Populi Gallery, Philadelphia, USA, 2008.
300m3 Art Space, Göteborg, Sweden, 2008.

   

Within This Border (I'll Be Safe)
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A 5-channel video and sound installation with synchronized DVD-players, monitors, headphones, and carpet.

Bemis Center for Contemporary Arts, Omaha, Nebraska, USA, 2007.

   



Positionsbestämning 1-3 [Positioning 1-3]
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Posters with text and image, triptych, 46 x 60 cm, 2002/2006.
Three attempts at dialogue with a found book entitled POSITIONING. The Battle for Your Mind.
Various venues.

   

To turn one's anus towards the sun and say "GO"!
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Poster with text and image, 31.5 x 56.5 cm, collaboration with Katja Aglert. Reflections on absurd optimism and a slogan used by speechwriter Dan Pink "Abundance-Automation-Asia".
Chto Delat?/What Is To Be Done? #16: Potentialities Beyond Political Sadness, 2007.

 


Some Day They're Gonna Name a Street After Me
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Lamda print, 108 x 123 cm, collaboration with Po Hagström (Trial and Error), 2006.
Various venues and publications.

   


Inauguration-Kit
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Portable rostrum with a ready to use inauguration-kit that contains everything one might need for inaugurations, unveiling of public art and similar events. Collaboration with Po Hagström (Trial and Error), 2007
Supermarket, Konstnärshuset, Stockholm, Sweden, 2007.

   

Trial and Error – Monument for the Massess
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A 2-year, context and site specific project that consists of a proposal for a counter-monument, a campaign to gain support for the proposal, an exhibition and a website. Collaboration with Po Hagström (Trial and Error), 2005-2006.
Tallinn City Gallery, Tallinn, Estonia, 2006.

 






Don't get emotional with the food / Paper bag or plastic bag?
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Documentation of intervention / Poster, part of a diptych, various size, collaboration with Po Hagström (Trial and Error), 2005.
Studio 44, Stockholm, Sweden, 2006, and It's Not Easy, Exit Art, New York, USA, 2008

 

The Last Journey of the Wanderer
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Documentation of intervention / DVD, 3:20min.
Lasnamäe residential area, Tallinn, Estonia, 2005.

   


Except for Your Presence
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Documentation of intervention / podium 37x37x57 cm.
Kadriorg park, Tallinn, Estonia, 2005.

 
The Home of the Safe and Short-Circuited Security Systems
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Poster, 84 x 29,7 cm, co-written with Lisa Bäckman for a research and exhibition project by the workgroup AUPG, initiated by Sören Grammel & Jan Verwoert. Exhibited at BildMuséet, Umeå, Sweden, 2006 and in "Whatever happened to social democracy?" at Rooseum, Malmö, Sweden, 2005.
 

From Here to There (Receiver Module #3)
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Site specific video and sound installation with an outdoor video projection and a booth indoors with CD-players and headphones. Soundtrack: 4:09 min, language: Swedish.
Nacka Expo, Nacka, Sweden, 2004.

   

Receiver-Modules
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Site specific video and sound installation with two outdoor video projections and two booths indoors, which were attached to the windows of the gallery. CD-players, headphones, lamps, video camera, video projectors and curtains.
Gallery 60, Umeå, Sweden, 2003.

   
Point of Departure

Site specific soundwalk, duration 20 min. Headphones and MP3 player. Gallery 60, Umeå, Sweden, 2002.


110 Days

Walking, writing, mapping during 110 consecutive days, forming an archive of subjective maps. An excerpt was presented in Glänta magazine #3-4: Maps, 2002.